The Lightning Flash of Knowledge and the Time of Image: Walter Benjamin’s image based epistemology and its preconditions in visual arts and media history
“In the fields with which we are concerned, knowledge [Erkenntnis] comes only in lightning flashes. The text is the long roll of thunder that follows,” This sentence from his Arcades-project belongs to the most fluently cited passages of Benjamin’s work. However, in contrast to many reading the lecture argues that this has not to be understood as a metaphor. Instead lightening flash and image function as words mutually replacing each other in order to describe a mode of sudden, simultaneous recognition / knowledge that is at the centre of his image-based epistemology.
This lecture argues that this epistemology is informed by (1) an intense study of paintings and other pieces of visual arts and (2) the engagement with the development of media technology in modernity. Whereas the younger Benjamin studied the perceptive mode of visual art as a site of afterlife of an epiphanic mode of insight he later, in the context of his project on modernity, turned this mode of knowledge, due to the invention of electricity and technical media, into a modern epistemology. Through a kind of breaking in of technique into iconography many of its conventional figures were turned into epistemological constellations. In this way Benjamin developed a theory of knowledge and history based in simultaneity.
Co-sponsored by the Department of German Studies, Department of Comparative Literature, Stanford Humanities Center, Division of Literatures, Cultures, and Languages, Department of English, Program in Modern Thought and Literature, and the Interdisciplinary Working Group in Critical Theory.
Levinthal Hall
Robert Harrison
121 Pigott Hall
Stanford University
Stanford, CA 94305
Professor Harrison received his doctorate in Romance Studies from Cornell University in 1984, with a dissertation on Dante's Vita Nuova. In 1985 he accepted a visiting assistant professorship in the Department of French and Italian at Stanford. In 1986 he joined the faculty as an assistant professor. He was granted tenure in 1992 and was promoted to full professor in 1995. In 1997 Stanford offered him the Rosina Pierotti Chair. In 2002, he was named chair of the Department of French and Italian. In 2014 he was knighted "Chevalier" by the French Republic. He is a member of the American Academy of Arts & Sciences, and lead guitarist for the cerebral rock band Glass Wave.
Professor Harrison's first book, The Body of Beatrice, was published by Johns Hopkins University Press in 1988. It deals with medieval Italian lyric poetry, with special emphasis on Dante's early work La Vita Nuova. The Body of Beatrice was translated into Japanese in 1994. Over the next few years Professor Harrison worked on his next book, Forests: The Shadow of Civilization, which appeared in 1992 with University of Chicago Press. This book deals with the ways in which the Western imagination has symbolized, represented, and conceived of forests, primarily in literature, religion, and mythology. It offers a select history that begins in antiquity and ends in our own time. Forests appeared simultaneously in English, French, Italian, and German. It subsequently appeared in Japanese and Korean as well. In 1994 his book Rome, la Pluie: A Quoi Bon Littérature? appeared in France, Italy, and Germany. This book is written in the form of dialogues between two characters and deals with topics such as art restoration, the vocation of literature, and the place of the dead in contemporary society.
Professor Harrison's next book, The Dominion of the Dead, published in 2003 by University of Chicago Press, examines the relations the living maintain with the dead in diverse secular realms. This book was translated into German, French and Italian. Professor Harrison's book Gardens: An Essay on the Human Condition appeared in 2008 with the University of Chicago Press, in French with Le Pommier, and in Italian with Fazi Editori , and in German with Hanser Verlag (it subsequently appeared in Chinese translation). His most recent book Juvenescence: A Cultural History of Our Age came out in 2014 with Chicago University Press. In 2005 Harrison started a literary talk show on KZSU radio called "Entitled Opinions." The show features hour long conversations with a variety of scholars, writers, and scientists. Robert Harrison is also the Director of Another Look, a Stanford-based book club.